What Is The Correct Flow Of Information In Gene Expression Language Before Music – Music Before Language?

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Language Before Music – Music Before Language?

So what if…

did you see the sound?

could you hear the thought?

can you smell the right way?

What if everything was in spirals…

It is very likely that human ancestors intuitively understood that the world was formed around spirals and responded to the perception of sound much more holistically with their body-mind connection.

Recently (early 2009), the little furry mutants in Leipzig started to whistle ultrasonically at a slightly lower pitch.

This was the result of an experiment performed at the Max Planck Institute for Evolutionary Anthropology in Leipzig, Germany. Scientists have ambitiously created a mouse strain that contains a human variant of the gene, called FOXP2.

It is a gene linked to several key tasks, including the human ability to speak.

Not surprisingly, a recent comparison of those with the new gene showed that these mice actually communicate differently with each other, using slightly lower-pitched ultrasonic whistles. What’s even more intriguing: nerve cells grown in one brain region show a markedly higher level of complexity than those in unaltered mice.

These anthropological studies can help us better understand what constellation of genes and cultural practices actually underpins the ability to speak in humans.

As a rehabilitation counselor – helping to restore neuro-muscular function – related to physical balance, I see the strong connection between music and human movement and communication. I suspect that the respect for rhythm found in music arose as a survival and practice tool for reproducing the important sounds of everyday life. The role of birds as communicators that aid in the survival of humans and other animals has well-documented precedent. Birds sound the alarm about potential threat, sing us to sleep, are associated with cross-cultural spiritual beliefs, and may represent the first terrestrial rhythmic entertainers.

The idea that sound manipulation arose to enhance our survival by improving coordinated movement and communication for social interaction, reproduction, association, and danger avoidance is very evident in the development of our brains and neural networks.

When we measure the emotional response to music, what is primarily being tested is the personification of “meaning”—whether a person understands the “meaning” of different auditory sounds. It appears to be partly genetically transmitted (at least pre-wired), familiar and easily learned throughout life.

Having a coherent, organic system that connects our body to a pre-wired process in the brain (which responds to the sounds and movements we experience throughout life) lends this rationale to survival.

It is said that vibrations, music, rhythm and even the absorption of echolocation are the first language that reaches the body in a perceptible form. A primordial connection to the growing social journey that begins in the womb. To appreciate and understand this indivisible truth — on an elementary level — we need only explore the effect of ambient energy (energy is nature’s most basic pattern of arrangement) in relation to its effect on prenatal infants and its influence on the collective gatherings that form the basis of personal identity ( in the form of solidarity rituals).

Let’s take the discovery of the world’s first flute as an example.

Excavated by archaeologist Nicholas J. Conard of the University of Tubingen in Germany in 2008 from the Hohle Fels cave, about 14 miles southwest of the city of Ulm, the nearly complete flute implies that the first people to inhabit Europe had a fairly sophisticated musical culture. A griffon vulture wing bone with five precisely drilled holes is the oldest known musical instrument (a 35,000-year-old relic of early human society) that seems to have contributed to the improvement of social cohesion and new forms of individual communication expression. Most likely, this indirectly contributed to the demographic expansion of modern humans at the expense of the more culturally conservative Neanderthals.

Social cohesion goes hand in hand with the dawn of social grouping. In the beginning, people gathered and lived together in a greatness based on faith, trust and closeness that intuitively “fits” into the community of human nature. In earlier times, humanity, just like animals, was strongly connected to group consciousness and acted as a group to survive. This coherence naturally created a process of what might be called enhanced, intuitive communication. In nature, hypercommunication has been successfully applied for millions of years to organize dynamic groups. The organized movement of a school of fish or a flock of birds on the wing proves this dramatically. Modern man knows it only on a much more subtle level as “intuition”.

Yet our original tribal form – evolved from the kind of mental assistant for personal information we carry in our heads that connects “faces to places” and allows us to name a member of our tribe even in an unfamiliar environment. This is not an archaic process of social formation, but a primordial one. Until recent human history, humans have lived in “tribe-sized” groups, and our tendency, even today, consistently pulls us back into that comfort zone. For example, it is no coincidence in modern literature that the Bard forced King Lear to step down from the throne, but kept 100 knights around him to maintain his sense and ruler of the realm personality of the “royal” community.

While the formation of personal identity is literally one half of this social understanding of music and the evolution of language, a vital element of the formation of “community” is found in the group personification of sound. In order to develop and experience individuality, we humans have had to mask, or perhaps more accurately, stamp our emerging persona in musical form and expression. Thus it became imperative for a social gathering (which wanted to evoke and guide an emotional response) that acoustics and rhythm play an integrating role. These aspects of ambient sound have a vicarious social role that resonated through the biosphere to enliven the audience and ultimately strengthen the sense of community. An example of a cross-cultural emphasis is the Renaissance Indian ritual of Astakaliya Kirtan – in which long chanting is accompanied by rhythmic drumming to enchant the participants.

The sound of the smell

However, movements beyond our audible range are still rhythmic and serve us in much the same way as audible sound. We sense movement through our body’s three balance centers. All these systems connect fluid with electrical impulses through the central nervous system (brain and spinal cord), skeletal structures and musculature. It is a complex system that works as a team to provide the right result to properly stabilize the body against the forces of gravity. Body movements depend on messages to and from the brain’s control room. The brain remembers movement patterns through rhythm rather than individual muscle interactions. So even our sense of smell can tell us the direction when it is unclear.

For example, polyvagal theory, the study of the evolution of the human nervous system and the origins of brain structures, posits that more of our social behaviors and emotional disorders are biological—that is, “hardwired” into us—than we tend to think.

The term “polyvagal” combines “poly,” meaning “many,” and “vagal,” which refers to the longest cranial nerve called the vagus (affectionately known as the “vagus” nerve). To understand the theory, a deeper understanding of the vagus nerve needs to be carefully considered. This nerve is the primary component of the autonomic nervous system. A nervous system you don’t control. It makes you do things automatically, like digesting food. The vagus nerve exits the brainstem and has branches that regulate structures in the head and several organs, including the heart and large intestine. The theory proposes that the two different branches of the vagus nerve are linked to the unique ways in which we respond to situations we perceive as safe or unsafe by properly positioning the body for flight or fight. Significantly, this nerve works uniquely with the only muscles in the body that are fed by the cranial and spinal nerves around the neck and upper back (sterno cleido and upper trapezius). These muscles also intertwine with the olfactory aspect of the limbic brain to allow us to instinctively turn our heads to sense the direction of potential danger.

So it is easy to understand how we feel sound vibrations and movements with our physical body, and that our body is capable of performing cognitive tasks to support the multitasking of the brain. Using our body in this way helps a certain type of intelligence to survive. Especially since our bodies are hardwired to recognize rhythmic patterns, with sensors in each of our joints. This allows us to communicate, think, remember and perform cognitive tasks partly with our bodies.

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